Because the Ghibli -style images created with the IA that invaded social media are an offense to Miyazaki

In the last few days the web has been invaded by images in the unmistakable style of the Studio Ghiblitransforming photos of people, animals and even famous people in versions animated with a nostalgic flavor. This trend is powered by the new tools of artificial intelligence Which can generate images in seconds, emulating the style of the greatest artists.

However, this wave of ai-generated content is in net contrast with Hayao Miyazaki’s philosophythe famous director and co-founder of the Ghibli studio, who has always expressed a deep contempt for the use of the AI ​​in animation.

In a video that has become viral, dating back to 2016, Miyazaki reacted with disgust to an animation demonstration generated by an artificial intelligence, defining it “an insult to life itself“. For him art is not just a matter of aesthetics, but A moral act, the result of authentic emotions, fatigue and human sensitivity. His approach to animation is deeply rooted in tradition: each frame of his films is hand designed, with an almost obsessive attention to detail and expressive quality.

The empty ia of humanity

The use of artificial intelligence to replicate Ghibli’s style, therefore, is not only a technical question, but raises deeper questions. These images, while reproducing colors and atmospheres typical of Miyazaki’s films, are empty of that humanity that makes his work special. The IA can imitate a shape, but cannot capture the soul of a work.

There is also a legal issue to consider. Many artists are denouncing the fact that artificial intelligence tools are trained on pre -existing works without the consent of the authors. If technological companies are using thousands of Ghibli study images to train their models, is it a violation of copyright? The debate is still open, but the concern is real.

What is certain is that Miyazaki’s approach and AI’s are diametrically opposed. He has always privileged time, care and reflection. The IA, on the other hand, produces something similar in seconds, but but without authenticity. For those who really love the work of the Japanese master, perhaps the true celebration of his style is not the imitation through AI, but respect for his vision of art.